Albrecht Duerer by R. Kopfenberg
By R. Kopfenberg
Таинственный и гениальныйнемецкий творец, чьи интересыне ограничивались только живописью или гравюрой. Альбрехт Дюрер был настоящим пророком германского Возрождения. Его кисть создавала портреты императоров и сочувствовала нищим крестьянам. Он создавал пушки и учил ландскнехтов, как правильно разрушать замки и крепости. И в то же время он вырезал на гравировальных досках изумительную серию офортов, проклинавших ужасы войны и всех гибельных для человечества напастей. Альбом с репродукциями великого Дюрера.
Read Online or Download Albrecht Duerer PDF
Similar individual artists books
Tuymans' monochromatic palette and selection of material - family interiors, standard gadgets or family members photos - hyperlink portray with post-war filmmaking and beginner images. The assets of different photographs on his canvases supply his paintings a brooding violence. even supposing modest in scale and delicate in execution, this paintings is strong in its haunting evocation of misplaced lives and repressed histories.
Writing, for Michael Snow, is as a lot a sort of “art-making” because the huge variety of visible artwork actions for which he's popular, together with the “Walking girl” sequence and the movie Wavelength. Conversely, a few of the texts incorporated during this anthology are as major visually as they're on the point of content material — they're intended to be checked out in addition to learn.
Hans Holbein the more youthful was once the prime artist of the Northern Renaissance, but his existence and paintings are usually not approximately as well-documented as these of his contemporaries Leonardo da Vinci or Michelangelo. That omission has been remedied with this acclaimed learn by way of Oskar Bätschmann and Pascal Griener. Hans Holbein chronicles the existence and oeuvre of Holbein (1497/8–1543), as Bätschmann and Griener practice their enormous wisdom to discover the whole variety of cultural and social affects that affected him and his paintings.
- Van Gogh (Arnoldo Mondadori Arte)
- Refiguring the Spiritual: Beuys, Barney, Turrell, Goldsworthy
- The Metropolitan Museum of Art Bulletin: Winter 1994/95, Volume LII, Number 3: Thomas Eakins and the Metropolitan Museum of Art
Extra info for Albrecht Duerer
He soon hired two more Hampton graduates: Joseph Mack, a painter, and Carroll Simms, a sculptor and potter. Hazel Biggers had graduated from Hampton with a degree in business and quickly found a position in the business ofﬁce. The couple located a small two-room apartment of their own not too far from campus. The name of the institution was changed to Texas Southern University in 1951. B U ILDING IN HOU STON AND TE X A S SOUTHE RN U NIVE RS IT Y, 1949 –1957 33 ﬁgure 17 Joe Mack, Viktor Lowenfeld, John Biggers, Texas Southern University 1951 It was not an easy beginning for the young couple who were new to Houston ways.
Day of Plenty (1948–1949) was intended to show the power of people who have learned, through education, to work together for the common good. The drawing also reﬂected John Biggers’s discovery of Diego Rivera, whose work he admired greatly. “Here I am, at cold, wintry Penn State, working in the style of a Mexican painter. ”31 Those drawings reﬂect his passionate commitment to art expression as a response to the life he had known and cared about. The rituals of birth, life and death, regeneration, and hope had been at the core of his understanding of life.
So Biggers would join his students in class or in the kitchen when Hazel was cooking supper. While guiding a visitor through his 1995 retrospective exhibition at the Museum of Fine Arts, Houston, he gestured towards several early drawings: The ﬁrst two drawings I made in Houston were those two: The Cradle and Sleeping Boy. The reason they are so important to me is that I don’t think I’ve ever beat them. 6 The Cradle (ﬁg. 19, and also featured on the jacket to this book) was entered into the annual 1950 Houston Artists Exhibition sponsored by the Museum of Fine Arts of Houston.