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Anatomy of morphology by A. D. J Meeuse

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By A. D. J Meeuse

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45 Sitting When adding skirt creases to a seated character, it is extremely important to gain an idea of the overall form to avoid drawing the creases incorrectly. This skirt has considerable volume and a heavy appearance owing to the presence of a pannier underneath. 47 Sitting with the Legs Crossed The following pages show uniforms with two skirt lengths: a mini and a below-the-knee. The skirt on this page has a stiffer, more starched appearance than the skirt on the preceding page, owing to the presence of a pannier and petticoat underneath.

Nier worn underneath 7''= kirt gives it volume. 55 Sitting on the Floor, Holding the Legs Light Source ~ Adding large, bold patches of shading rather than detailed shadows to suggest numerous tiny rises is a more effecting means of shading relatively flat areas of fabric with only subtle undulations. Use large shadows to suggest the flow of fabric. - - ~ shoulder is pulled _ •, rd. Exposing the knee ever so slightly makes for a more charming composition. The pulling back of the arm causes the sleeve's hem to drop back.

45 Sitting When adding skirt creases to a seated character, it is extremely important to gain an idea of the overall form to avoid drawing the creases incorrectly. This skirt has considerable volume and a heavy appearance owing to the presence of a pannier underneath. 47 Sitting with the Legs Crossed The following pages show uniforms with two skirt lengths: a mini and a below-the-knee. The skirt on this page has a stiffer, more starched appearance than the skirt on the preceding page, owing to the presence of a pannier and petticoat underneath.

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