Can We Start Again?: The Patterns & Techniques of by Daryll Scott
By Daryll Scott
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The tennis players' conscious understanding of what they are doing is not what is really happening. I always thought that I rolled my wristI guess it's a metaphoric description of what it feels like when the wrist is kept straight rather than a description of what is really happening. Here's another way of looking at it. How can you empirically prove what makes one painting beautiful and another very similar painting average? (Accepting that this is a value judgement and therefore unquantifiable - one person's music is another person's noise) There are plenty of individual factors that you could theorise about thickness and weight of brush strokes, use of contrasting colour, proportions of the subject matter - and you are loosing sight of the inexplicable quality of the painting.
As we look at the grid, our F linguistic transforms 'make sense' of it by comparing the squares to the squares around them and categorizing the squares into one of two sets; light squares or dark squares. A is classified as a light square; B is classified as a dark square. This is often described as an optical illusion, but there is nothing optical about it. In terms of the light falling on the retina and stimulating the optic nerve A and B are the same. It is the comparative evaluation and classification of A and B that corrupts our FA experience.
I beat my sibling convincingly, consistently and without reprieve. At first, I assume, he was too busy acquainting himself with the basic operation to the game to pay much attention to the results he was getting. After some time he had established a basic competence and seemed to become more competitive. He then began to become angered by the constant defeat. He concentrated intensely and focused on the coloured blobs of pixels moving around the screen, gritting his teeth and reacting more and more dramatically to each defeat.