Colored Pencil Collage: Nature Drawing and Painting for by Kelly Hoernig
By Kelly Hoernig
Effortless coloured pencil innovations to your nature-inspired mixed-media collages!
Discover the gorgeous bits of nature throughout you and study precise how one can contain them into your mixed-media collages with the aid of Colored Pencil Collage. you'll examine all of the fundamentals you should utilize coloured pencils on your nature work. then you definately will perform developing and arranging beautiful designs and compositions. eventually, 17 college initiatives show mixed-media innovations for numerous surfaces in addition to that includes in-depth guide for growing life-like nature drawings. no matter if it's feathers, butterflies, flora or leaves, you'll be encouraged to appear to mom nature for destiny projects!
• 28 classes educate composition, layout and coloured pencil techniques
• 17 mixed-media projects
• 21 drawing templates that will help you start
Read or Download Colored Pencil Collage: Nature Drawing and Painting for Mixed Media PDF
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Additional info for Colored Pencil Collage: Nature Drawing and Painting for Mixed Media
The earliest picture connected with Guido is a half-length Madonna from the San Domenico of Siena. The Virgin, of tall stature, sits on a large seat and points with her right hand to the infant on her knee, who gives the benediction and grasps a scroll in his left hand. Her round head, a little bent, supported by a slender neck, is disfigured by the clumsiness of its nose, which starts from a projecting angular root, terminating in a broad depression. The arched lines of the brow are but the continuation of a long curved lid extending towards the temple far beyond the outer corner of the eye.
Further, it appears that even in Florence a native painter, a certain Maestro Bartolomeo, lived and was employed in 1236. Thus, Cimabue’s often-quoted title as ‘father of modern painting’ cannot be justified, even in his own city of Florence. The facts on which his traditional celebrity has been founded will be elucidated in ensuing sections, as the opening scene must surely begin with none other than Guido. qxp 7/26/2011 Scenes from the History of Sylvester and Constantine, 1246. Fresco. Church of the Santissimi Quatro Coronati, Rome.
Fresco, 690 x 350 cm. Left transept, Upper Basilica of San Francesco, Assisi. Cimabue, Crucifixion (detail), 1283. Fresco, 690 x 350 cm. Left transept, Upper Basilica of San Francesco, Assisi. qxp 7/27/2011 4:23 PM Page 58 Cimabue and the R u c e l l a i M a d o n n a Cimabue (with the collaboration of Giotto), The Virgin and Child Enthroned, late 13th century. Rectory, Castelfiorentino. 58 Nowhere does the local patriotism of Florentine writers more powerfully manifest itself than in their accounts of early Tuscan artists.