Decorating Design

Colorful Stitchery: 65 Hot Embroidery Projects to by Kristin Nicholas

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By Kristin Nicholas

;Colorful Stitchery: sixty five sizzling Embroidery initiatives to customize your house КНИГИ ; ХОББИ и РЕМЕСЛА Автор: Kristin Nicholas Название: colourful Stitchery: sixty five sizzling Embroidery initiatives to customize your place Издательство: Storey Publishing, LLC Год: 2005 Формат: PDF Размер: 20.60Страниц: 198Язык: английский Для сайта: www.mirknig.comКнига по вышивке шерстяными нитками. Представлено sixty five проектов для дома: подушки, салфетки, прихватки, чехлы для яиц, игрушки и другие изделия. sixty eight

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In the Renaissance, Leon Battista Alberti was the first to demonstrate a profound interest in natural light, dedicating himself to discussing it in whole paragraphs, accompanied by exhaustive scientific, optical and architectural discourses, demonstrating how the use of special devices for the dissemination and reflection of light could be used in building. One of the first testimonies, his Pittura, dating to 1435, collected the first complete numbering of the types of light in art, laying the foundations for what was later defined a primordial elaboration of an ‘aesthetics of light’ [15].

Knowledge of the writings of Vitruvius proved useful to the subsequent treatises by Serlio who, albeit in a rather inaccurate and inhomogeneous way, defined the importance of an appropriate arrangement of windows with suitable orientation, for country houses, as he narrated: ‘In the middle of the room there shall be two niches at the top of which there shall be a large window, to take in light and wind’ [18]. The instructions appear immature and ill-defined; these seem to be summary suggestions, derived from experience rather than from extensive physical and optical assessments, however, they clearly demonstrate that the legacy of the first hints of Vitruvius, on the architectural significance and thermal performance related to the use of light for private mansions had not been lost through the centuries.

And the Natural light in the architectural project ⎥ 37 interior of the church is constantly permeated by light, and the white concrete shells subtly reflect this palette’ [27]. 6 The experience at low latitudes The use of sunlight in tropical and subtropical countries has always been an element inherent to architectural design since, where light plays a predominant role, precise measures are required for protection from the sun, long before accentuating expressive and compositional peculiarities.

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