Decorating Design

Decorate for the Seasons by Chris Greeno

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By Chris Greeno

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Intento leer aquí esa representación a traves de su escena fija y profunda: la arquitectura. A veces me pregunto como puede ser que nunca se haya analizado la arquitectura por ese su valor mas profundo; de cosa humana que forma la realidad y conforma la materia según una concepción estetica. Y asi, es ella misma no solo el lugar de la condicion humana, sino una parte misma de esa condicion; que se representa en la ciudad y en sus monumentos, en los barrios, en las casas, en todos los hechos urbanos que emergen del espacio habitado.

Y de Lavedan; teoría que he expuesto en las páginas precedentes. Veremos además que la teoría de las permanencias está en parte relacione da con la hipótesis, que ya he anticipado al comienzo, de la ciudad como manufactura. Para es’tas consideraciones debemos tener presente, además, que la diferencia entre pasado y futuro desde el punto de vista de la teoría del conocimiento consiste precisamente en el hecho de que el pasado es en parte experimentado ahora por que, desde el punto de vista de la ciencia urbana, puede ser éste el significado que hay que dar a las permanencias; éstas son un pasado que aún experimentamos.

Repito que aquí intento más decir a qué me refiero que dar definiciones. Ahora me doy cuenta claramente de que aún afirmando que los elementos primarios no son solamente los monumentos, en mis argumentos siempre he acabado por identificarlos. Por ejemplo, cuando hablo del teatro de Arles, o del Palazzo della Ragione de Padua, o hasta de otros hechos. No creo que esté en disposición de aclarar completamente este punto, pero introduciré un argumento ulterior. Sabemos que muchos textos de geografía y de urbanística clasifican las ciudades en dos grandes familias: ciudades planificadas y ciudades no planificadas.

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