Drawing Architecture AD (Architectural Design) by Neil Spiller

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Sample text

What is it, as architects, that we actually produce? Intention … contention … invention … pretention … One path is the making of things known (via the act of drawing). Another path is the making of unknown things at least identifiable as a residue. The shifting from an artefact to the antifact: the synaesthesia of architecture. ‘There is no use trying,’ said Alice. ’ ‘I dare say you haven’t had much practice,’ said the Queen. ‘When I was your age, I always did it for half an hour a day. ’4 1 Notes 1.

Lars Lerup, After the City, MIT Press (Cambridge, MA and London), 2000. 2. Ibid, p 142. 3. For a wider description of these seven continua and older AVATAR work, see: Neil Spiller, Digital Architecture Now: A Global Survey of Emerging Talent, Thames & Hudson (London and New York), 2008, p 368. 4. Neil Spiller and Rachel Armstrong, 3 Protocell Architecture, March/April (no 2), 2011. 5. René Daumal, Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing, Stuart (London), 1959.

What lies beneath the pixels is the window landscape of a flattened Nevsky Avenue, the main boulevard of St Petersburg. The city of New Malacovia hides underneath a pixel blanket. This camouflage layer becomes the sky for the portable city, and as a perfect mimic of the Danube below, it is an illusion of a river to the outside world. The humble potato. Malacovians would experiment with potatoes using pins, wire and foil to draw embedded energy from the spuds, which have become eco-batteries that power the city.

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