Drawing the Female Form (Dover Anatomy for Artists) by George B. Bridgman, Ben Pinchot

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By George B. Bridgman, Ben Pinchot

Designed basically for starting artists, this glorious reference combines the correct result of the photographed determine with revolutionary drawings through a famous figure-drawing instructor whose works on anatomy became vintage references for paintings students.
The well-illustrated handbook presents painters, illustrators, and sculptors with important directions on rendering the intricacies of the feminine determine. George Bridgmans use of photos and his drawings supply starting artists with an appropriate replacement to using high priced stay types for drawing workouts and experiences in musculature and light-weight.

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Extra resources for Drawing the Female Form (Dover Anatomy for Artists)

Sample text

We have sought in these photographs to establish, as far as possible, a sculptural quality, to make them pleasing without sacrificing any of the clarity or realism of the figures, and whenever feasible, to emphasize any features that should be of special interest to the beginner. The fine muscular development, the delicately sculptural modeling, the bone structure under the rounded flesh—the combination of photographs and progressive drawings should, we feel, take the place of a living model, and consequently prove of invaluable aid to the beginner and student.

Female form] Drawing the female form / George B. Bridgman and Ben Pinchot. p. cm. Originally published: Female form / by Ben Pinchot ; with analytical drawings by George B. Bridgman. Y : Bridgman, 1935. 9780486136127 1. Figure drawing—Technique. 2. Drawing from photographs—Technique. 3. Female nude in art. I. Pinchot, Ben. Female form. II. Title. com Table of Contents Title Page Copyright Page INTRODUCTION INTRODUCTION There are many books extant that deal with the human figure portrayed photographically as well as graphically.

And each publishing season finds a fresh series thrown into the market. So many volumes are typographically and artistically engaging, but with that perfection of beauty their purpose appears to end. Most of them are collected from diverse sources (and therefore lack uniformity of creation) and are usually without preconceived purpose or unity of contents. For the most part, their very beauty precludes any utilitarian features. This is especially true of photographic compilations. While many more of the books limited to graphic depictions have a basic idea for their conception, they are sadly lacking in authentic life and vitality.

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