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Elle est les ténèbres 1 (Les annales de la Compagnie Noire, by Glen Cook

Posted On March 23, 2017 at 9:37 pm by / Comments Off on Elle est les ténèbres 1 (Les annales de la Compagnie Noire, by Glen Cook

By Glen Cook

« Le vent gémit, exhalant son baleine amère. l. a. foudre gronde et aboie. Une strength vivante fait rage sur los angeles plaine de pierre scintillante. Les ombres elles-mêmes ont peur. Au centre de los angeles plaine se dresse une vaste forteresse grise inconnue, plus vieille que toute mémoire écrite. Une old travel s'est effondrée en travers de l. a. faille. Depuis los angeles position specialty monte un lengthy et profond battement, pareil à celui du cœur d'un monde assoupi, qui déchire le silence sans âge. »

De Taglios à Belvédère, l. a. citadelle du dernier des Maîtres d'Ombres, puis vers l. a. Porte d'Ombre et au-delà, los angeles dure et longue direction de l. a. Compagnie noire se poursuit vers le Khatovar, sa mythique destinée. En voici le récit sous l. a. plume de son porte-étendard, Murgen, tel que dans ses annales.

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Extra resources for Elle est les ténèbres 1 (Les annales de la Compagnie Noire, Tome 8)

Sample text

He nodded and clucked his horse into motion. It was when the birds scattered from their path that the Adjunct found herself envying the captain. Before her the roused carrion-eaters exposed a carpet of armour, broken bones and meat. The air was hot, turgid and cloying. She saw soldiers, still helmed, their heads crushed by what must have been huge, terribly powerful jaws. She saw torn mail, crumpled shields, and limbs that had been ripped from bodies. Lorn managed only a few moments of careful examination of the scene around them before she fixed her gaze on the promontory ahead, unable to encompass the magnitude of the slaughter.

The captain grunted again.

There was virtually nothing else. No back story, no context, no real introduction of characters. It was, in fact, more Raiders of the Lost Ark than The Lion in Winter. Ambition never goes away. It may shuffle off, grumbling, feet dragging, only to slide across into something else – usually the next project. It doesn't take 'no' for an answer. In writing Gardens, I quickly discovered that 'back story' was going to be a problem no matter how far back I went. And I realized that, unless I spoon-fed my potential readers (something I refused to do, having railed often enough at writers of fantasy epics treating us readers as if we were idiots), unless I 'simplified', unless I slipped down into the well-worn tracks of what's gone before, I was going to leave readers floundering.

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