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Emblematics in Hungary: A Study of the History of Symbolic by Va Knapp, G. Bor T. Sk S., Eva Knapp

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By Va Knapp, G. Bor T. Sk S., Eva Knapp

This monograph makes an attempt to offer a complete photo of 1 of the preferred didactic and symbolic kinds of literary expression within the Renaissance and Baroque Hungary. It seems on the impact of emblematics upon literary thought, upon diverse genres reminiscent of epigrams, dramas, sermons, biographies of saints, and upon the high-quality arts. The authors problematic a typology of brand books and emblematic prints, study the function of schooling within the transmission of the shape, and examine the English reception of a overdue humanist logo publication through an Hungarian writer. they think about either the content material and visual appeal of that fabric in addition to the altering buildings and services, and ancient and overseas impacts.

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It differs from these only in so far as it also has a covert, hidden reference which needs to be explained, makes one think, and which, similarly to the symbol, pictorially represents what it wants to express. An emblem should have wit and charm, and be rich in content; it should be founded upon pithy and serious thought, and the picture should represent a reality which is concrete or is at least founded upon general conviction. The esoteric character of the emblem is something we find discussed in Alciati and Bocchi; Zsámboky's views coincide with those of Giovio: the emblem is more obscure than the Aristotelian problemata but can be understood more easily than either the dilemmata or the aenigmata.

Secunda ... tertia (Buda 1761). Kelemen Mikes, Mulatságos napok és más fordítások, ed. Lajos Hopp, in Mikes Kelemen összes müvei, III (Budapest 1970), 948; Benedictus Haeften, A keresztnek kôzônséges uta, tr. Márton P. Jenei (Pest 1772). Jeremias Drexel, Nap után forgó virág, transi. András Dévay (Nagyszombat 1764). Compare Tamás Esze, >A magyar napraforgóvirág<, Egyháztorténet 1943, 330-45; John Barclay, Argenisse, tr. , Argénisse, tr. Sándor K. Boér (Kolozsvár & Szeben 1792). 1 The first emblem books associated with Hungary to come complete with theoretical glosses appeared in the second half of the sixteenth century and the first half of the seventeenth.

Günter Berger & Hans-Jürgen Lüsebrink (Rheinfelden 1987), 55-85. Jean-Daniel Krebs, >Tradition und Wandel der Allegorese bei Georg Philipp Harsdörffer: Die Zufällige Andachu, in Mittelalterliche Denk- und Schreibmodelle in der deutschen Literatur der frühen Neuzeit, ed. , >G. Ph. Harsdörffers geistliche Embleme zwischen katholisch-jesuitischen Einflüssen und protestantischen Reformbestrebungen<, in Religion und Religiosität im Zeitalter des Barock, ed. Dieter Breuer (Wiesbaden 1995), 539-52. 35 Beckher and Piscator.

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