Frenemies by Megan Crane
By Megan Crane
Quite a few months shy of her thirtieth birthday, Gus Curtis eventually appears like she has all of it: a powerful profession, nice buddies, and an excellent boyfriend. yet all of this comes crashing down whilst Gus discovers Nate, her "Mr. Right," hooking up in the back of her again along with her so-called "friend" Helen. quickly it kind of feels just like the existence Gus has labored to make so grownup appears much just like the one she already had as undefined, and Gus is left with extra questions than solutions: Can she win Nate again earlier than she turns 30 by myself? (And if that is so, does she really need him?) Is Helen relatively as devious and manipulative as she turns out, or, worse, is Gus extra like her frenemy than she ever imagined? And is she ever going to develop up? With the clock ticking right down to her birthday, Gus discovers that usually the simplest factor approximately best-laid plans is trashing them altogether
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By the Italian painters who had was only one element of artistic creation affected by Neo-Platonism, and the second division of rhetoric, dispositio, with its inherent idea of order and harmony, would also be strongly tinged with Neo-Platonic tones in the Renaissance. Inventio, however, Dispositio DispositiOy the structuring or orderly arrangement of a work of art, can be seen to function on two levels. On one level, we are concerned with the structure of an individual work of art: a poem, a painting, for example.
Barocchi, Tratatti d'arte del cinquecento, vol. 3 (Bari: Laterza, 1962). The Theoretical Background wisdom, piety, etc. Finally, there is also 31 no lack of the more ab- struse, apparently shocking allegory associated with inspired poetry, including a number of portrayals of the adultery of Mars and Venus. We shall largely concentrate on these last two types of art in this study. Both were allegorical traditions at work in the visual arts and poetry before Ronsard began work on his own compositions.
This feature of Ronsard's writing calls into question the distinc- tion between the apparently linear nature of reading poetry, as con- with the non-linear nature of reading a painting. ^"* In the case of a short poem, a sonnet perhaps, be that the linear approach even this is it the most obvious one, though open to question. Let us consider one of the sonnets from the 1554 Bocage, L. VI. 52-53. ) de sa feinte inutile Le feu qu'amour me vient de son aile sutile Tout alentour du coeur, sans repos, eventer: 8 Sur le haut de mon lit en voeu je t'apendrai, Devot, un saint tableau, sur lequel je peindrai L'heur que j'aurai regeu de ta forme douteuse.