Giovanni Bellini by Stefano Zuffi
By Stefano Zuffi
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Additional info for Giovanni Bellini
Lugar also cast the first part of the diptych, Moses, Deliverer of the Law. September 25, 2008 Margie gets caught up in the joy of the day as Gore and Lugar talk over details of the casting (background right). September 25, 2008 Gore and Lugar discuss slight modifications in thickness of clay needed before the casting can be done. 23 February 10, 2009 Gore, invited to join Lugar and his staﬀ in pouring some sections of the sculpture, gets help from foundry employee Meg Zachry in suiting up for the job.
As a young boy in rural Mississippi, Gore grasped crayons with those same ﬁngers while working on ABC coloring books in his classroom as a six-year-old in the village of Mantee in Webster County. With a sly smile, he recalls it as one of his earliest memories of art, an experience involving both joy and a whipping! Racing through his entire coloring book, the young artist grabbed a friend’s book and colored it too, ignoring the teacher’s directions. His classmate cried aloud as Gore ﬁnished coloring the stolen book.
He smiles, saying that the student convinced the staﬀ he was someone important. While there, Gore approached Rodin’s Burghers of Calais masterpiece. ” Excitement builds in Gore’s voice as he talks about the experience. The artist’s hands—his ﬁngers—seem to relive each touch. His hands suddenly pause, mid-story, recalling the moment a museum security guard spotted him. “The ﬁrst guard came in and was big enough to play tackle on a pro-football team. In her most vivid French she shouted! I couldn’t speak French, but I knew what she was saying.