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ImagineFX (November 2015)

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ImagineFX is the one journal for myth and sci-fi electronic artists. each one factor comprises an eclectic mix of in-depth workshops from the world's top artists, plus galleries and interviews, group information and product reports.

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Extra resources for ImagineFX (November 2015)

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Through them 7 It’s dark in the woods Initially the idea is for light to be coming through the foliage hitting Link sporadically, with a dappled effect. But the ImagineFX team decides against this approach as it makes it difficult to achieve a good, dramatic read on the image and results in the piece feeling too mellow. Instead, the idea is that Link has just passed into a clearing to engage some enemies. 58 November 2015 I brighten the piece, using a Brightness/Contrast adjustment layer and attaching a Layer Mask to it, so I can brush the adjustments in but leave key areas as they are.

1 Try to focus on the painting, not matching reference. Had I left her hair blonde, for instance, the head would have been too similar in value to the sky and become lost. Answer Tony replies It’s good practice to hold off on 2 drawing clothes until after the figure is correctly established. Think of it like building a house: making the outside look nice won’t mean anything if the foundation isn’t strong and the essential problems haven’t been solved yet. If it’s a weak structure, the entire thing will collapse.

This will indicate to the viewer’s subconscious that this strange creature is of unknown origin, and could be dangerous! Your questions answered... Question My landscapes look flat. What’s the solution? Rory Niesh, England Answer Leesha replies illustrating the effect of atmospheric perspective will add instant depth to your paintings. there are only a few simple rules to keep in mind. essentially, when viewing an object from a distance, certain factors will affect how that object appears. the main factor is light scattering or distribution, which is caused by particles in the air such as dust, humidity or smoke.

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