Individual Artists

Jean-Michel Basquiat: A Biography by Eric Fretz

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By Eric Fretz

Jean-Michel Basquiat was once slightly out of his children while he rocketed to the guts of recent York's artwork scene. He was once 27 whilst he died of a heroin overdose. constantly arguable, Basquiat is now tested as an immense modern painter whose exact paintings maintains to enthrall.

Jean-Michel Basquiat: A Biography covers the artist's Brooklyn adolescence, his teenage years as a homeless graffiti painter, and his upward thrust during the artwork global. in addition to a dialogue of his existence and paintings, together with his use of Afrocentric subject matters, the ebook deals historical past on comparable modern paintings routine. designated awareness is given to Basquiat's friendship with Keith Haring and collaborations with Andy Warhol. The publication additionally explores Basquiat's tricky family members with gallery vendors and different authority figures, his issues of drug use, and his early loss of life. a last bankruptcy covers his carrying on with relevance and ongoing influence.

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Mark’s Place: SAMO© AS AN END TO VINYL PUNKERY . 23 Rather than any particular phrase, it was the sheer number of them that began to raise people’s interest. ”24 Some of the later SAMO graffiti referred to the fact that it was everywhere, such as a multiple-choice work the size of a mural: WHICH IS OMNIPRESENT? A. LEE HARVEY OSWALD B. COCA-COLA C. MICKY MOUSE D. SAMO © . 25 or, SAMO© . . AS THE RESULT OF OVEREXPOSURE . 26 In 1978, the SoHo Weekly News published a few photographs of the SAMO sayings that had been sprayed around SoHo, and made a plea for the anonymous artists to come forward for an interview, but neither Jean-Michel nor Al was ready to do so.

A popular theme in the collaged cards was the 1963 assassination of President Kennedy by Lee Harvey Oswald. Another was pictures of baseball players and teams making an ironic reference to traditional baseball cards and perhaps influenced by the games Jean-Michel watched with his dad. He sat on the street and sold them around Washington Square Park and elsewhere in the Village, West Broadway in SoHo, and sometimes uptown on the street outside the Museum of Modern Art. Jean-Michel also adopted a sort of punk style in clothing.

25 or, SAMO© . . AS THE RESULT OF OVEREXPOSURE . 26 In 1978, the SoHo Weekly News published a few photographs of the SAMO sayings that had been sprayed around SoHo, and made a plea for the anonymous artists to come forward for an interview, but neither Jean-Michel nor Al was ready to do so. The small piece only increased the talk around downtown about SAMO. Later, when Basquiat was painting on canvas and done with graffiti he would look back on this as just “teenage stuff. We’d just drink Ballantine Ale all the time and write stuff and throw bottles .

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