Les Liaisons dangereuses by Pierre Choderlos de Laclos

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By Pierre Choderlos de Laclos

Mondains capricieux et désoeuvrés, Madame de Merteuil et le vicomte de Valmont mettent en position un jeu de séduction appropriate pour l'une de los angeles vengeance, pour l'autre du défi. l. a. jeune et naïve Cécile Volanges et l. a. vertueuse Madame de Tourvel en sont les victimes. Les deux complices déploient en effet des trésors d'ingéniosité et de cruauté pour faire tomber leurs proies dans leurs filets. Grisés par le sentiment de liberté et de puissance engendré par los angeles domination des plus faibles, ils maîtrisent l'art de déjouer los angeles vigilance de los angeles société bien-pensante. Laclos livre dans ce roman par lettres les moeurs dissolues d'un monde raffiné gâté par los angeles perversité, dont il dénonce à los angeles fois les ressorts et l. a. fascination qu'elle exerce.

Dans l. a. lignée des grandes oeuvres libertines du XVIIIe, Les Liaisons dangereuses firent scandale, et suscitent des réactions toujours aussi contrastées.

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Extra resources for Les Liaisons dangereuses

Sample text

And so it happens that the wise proletarian Galy Gay, the man who keeps himself to himself, agrees to join the berserk ranks of the British colonial army, thereby consenting to the denial of his own wisdom. A moment ago he went out of his front door, sent by his wife on an errand to buy some fish. Now he meets three soldiers of the Anglo-Indian army who have lost a fourth while looting a pago­ da. The three of them have their own reasons for finding a replace­ ment for the missing man as soon as possible.

Have to imagine here is an eccentric Stop planing it now who is never satisfied with his Leave off painting it 'work', who cannot make up his Speak neither weii nor iii of it: mind to let it out of his hands. If We'll take it as it is. writers are taking temporary leave oeuvre (see above), then We need it. of their Hand it over. statesmen, too, are expected to show the same attitude. ' You have finished, statesman. The State is not finished. Allow us to change it To suit the conditions of life.

One is often What is Epic Theatre? [First version] 13 obliged to weaken one's own position in order to fight an opponent, and to rob one's cause of its breadth and validity for the sake of im­ mediate advantage. Thus reduced purely to fighting form, the cause may win, but it cannot replace what it has defeated. Yet the act of recognizing of which we speak is itself a pleasurable act. The simple fact that man can be recognized in a certain way creates a sense of triumph, and the fact, too, that he can never be recognized complete­ ly, never once and for all, that he is not so easily exhaustible, that he holds and conceals so many possibilities within himself (hence his capacity for development), is a pleasurable recognition.

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