Fantasy

Lord of the Rose (Dragonlance: Rise of Solamnia, Book 1) by Douglas Niles

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By Douglas Niles

First in an all-new trilogy from long-time Dragonlance writer Douglas Niles.

This name kicks off a key new Dragonlance trilogy from renowned Dragonlance writer Douglas Niles. This sequence will discover the post-war period in Solamnia, a primary sector of the Dragonlance global, carrying on with key tale components from the hot York instances best-selling struggle of Souls sequence.

About the Author
Douglas Niles is the writer of over 20 delusion novels, a lot of which have been released with Wizards of the Coast, Inc. he's additionally an award-winning roleplaying online game dressmaker who used to be a part of the unique production group for the Dragonlance atmosphere 20 years in the past. His latest books within the Dragonlance global contain Wizards’ Conclave and the Icewall Trilogy.

Note: First released in print shape in 2005; book model released in 2012.

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Additional info for Lord of the Rose (Dragonlance: Rise of Solamnia, Book 1)

Sample text

When John Clute planned his Encyclopedia of Fantasy in the mid1990s, he envisaged it as a smaller and more tightly focused volume than the recently updated The Encyclopedia of Science Fiction; it ended up as a sprawling leviathan almost twice as large as originally intended. The immense difficulty Clute and Grant had in setting boundaries to the project and in discovering an adequate descriptive terminology for comparative and taxonomic purposes provides a graphic illustration of the manner in which the historical and critical writings of the 1970s had created more problems than they had solved.

A heterocosmic creator cannot organize the informational thread of a text in the same way as can the creator of simulacra. The reader’s attention must be drawn to similarities and differences between the world within the text and the primary world. The heterocosmic creator must not only work hard to establish the relevance of some aspects of the readers’ preexistent stocks of knowledge into the text, but must work at least as hard to ensure that certain other aspects are definitively excluded. The heterocosmic creator must separate into two distinct parts the readers’ ready-made understanding of the way a world might work and must then compensate for the part ruled irrelevant by supplying a new understanding to take its place.

Tolkien’s lecture “On Fairy Tales” offers an unprecedentedly robust apologia for fantasy literature. 1939 Unknown provides a vital arena for the development of chimerical fantasy. Flann O’Brien’s At Swim-Two-Birds takes metafiction to new extremes. James Thurber’s “The Secret Life of Walter Mitty” provides a classic description of everyday escapism. World War II begins in September. 1940 Jorge Luis Borges, Adolfo Bioy Casares, and Silvina Ocampo compile a showcase anthology of international fantasy literature.

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