Luc Tuymans (Contemporary Artists) by Ulrich Loock
By Ulrich Loock
Tuymans' monochromatic palette and selection of material - family interiors, regular gadgets or relatives photos - hyperlink portray with post-war filmmaking and novice images. The resources of alternative photographs on his canvases supply his paintings a brooding violence. even if modest in scale and delicate in execution, this paintings is strong in its haunting evocation of misplaced lives and repressed histories. generally Tuymans' works are painted in teams for every exhibit and with the venue and the exhibition area in brain. for instance, while he represented his kingdom within the Belgian Pavilion on the 2001 Venice Biennial, Tuymans produced a cycle of works in line with the homicide of the 1st post-independence major Minister of the Congo, Patrice Lumumba. different works within the cycle exhibit photographs of African sculpture copies from a statue in a Belgian eating place and pictures from the Belgian Royal Museum's African assortment. those works raised concerns approximately colonialism and post-colonialism, but in addition got here at a time whilst a parliamentary fee used to be investigating the hyperlinks among the Belgian executive and royal family's rules and the loss of life of Lumumba.
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Tuymans' monochromatic palette and selection of material - family interiors, regular items or kin pics - hyperlink portray with post-war filmmaking and beginner images. The assets of different photographs on his canvases provide his paintings a brooding violence. even supposing modest in scale and delicate in execution, this paintings is strong in its haunting evocation of misplaced lives and repressed histories.
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Extra info for Luc Tuymans (Contemporary Artists)
I talked a lot to Fru P— the champagne was warming Fru P put her hand suddenly on mine—it was soft as velvet —I held the champagne in my hand—you know it cools I said— 43 we are flames which pour out of the earth —her eyes were were large and dark—I could rest my gaze in that dark hair —her eyes grew so big When—as if we became one through two large pupils —and as if our souls changed place—and when she smiled I felt as if I, my body was embraced— We forget the whole party and there were only we two— —Dessert came and I was called to my senses— I heard Fru S’s rather dry voice—she spoke across the table —I watched her— (She certainly didn’t like it that I openly looked at the other woman) After dinner Fru L came over 44 the private journals of edvard munch to me came where Fru P is now it was halfdark.
He had never kissed before. Next time he must do it only, only if he dared. We sat opposite each other. Our eyes met. A red glow over it all. Then she sat up straight in the sofa and leaned her head against the back of the sofa. Now I had to examine a curious pattern in the upholstery, so I leaned down toward her so our cheeks were close and I felt how near to each other we were. 25 we are flames which pour out of the earth I intend to collect these journal entries into one. These are in part experiences, in part fabrications.
Our eyes met. A red glow over it all. Then she sat up straight in the sofa and leaned her head against the back of the sofa. Now I had to examine a curious pattern in the upholstery, so I leaned down toward her so our cheeks were close and I felt how near to each other we were. 25 we are flames which pour out of the earth I intend to collect these journal entries into one. These are in part experiences, in part fabrications. I do not intend just to give my experiences. It will ultimately search out the hidden powers and bring them forth— to give them imaginative life to turn them into poetry reinforce them in order to body forth these powers most clearly in the machinery which is called human life and its conflicts with other human life.