Modern Recording Techniques (8th Edition) by David Miles Huber, Robert E. Runstein

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By David Miles Huber, Robert E. Runstein

Improved to incorporate the newest electronic audio expertise, the 8th variation now has sections on contact expertise, pills, and more recent connectivity recommendations, similar to Thunderbolt. it is also made over pictures all through, and significant updates of the sections masking DAWs, MIDI, and studying. no matter if you're simply beginning out or are trying to find a step-up within the undefined, smooth Recording strategies offers an in-depth learn on recording; it's a must-have to your audio bookshelf.

Master the instruments and daily practices of tune recording and creation. research the fine details of room acoustics and designing a studio. achieve suggestions for mic placement and working a consultation. Get an outstanding grounding in either idea and perform. glossy Recording ideas, the bestselling, authoritative advisor to recording, presents every thing you must enhance your craft.

"If you're occupied with recording--whether you're an beginner fanatic, a scholar, a musician, or an audio expert, you'll locate this booklet an informative, in-depth, cover-to-cover learn and an invaluable reference very good learn and vital reference book."

– MusicTech magazine

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Extra resources for Modern Recording Techniques (8th Edition)

Sample text

A number of studios are also jumping directly into the business of music by offering advisory, business and networking services to artists and bands, sometimes signing the artists and funding tours in exchange for a piece of the business pie. These and other aggressive marketing strategies (many of which may be unique to a particular area) are being widely adopted by commercial music and recording facilities to meet the changing market demands of new and changing media. No longer can a studio afford to place all of its eggs in one media basket.

Alternatively, these basic tracks might be made up of basic electronic music loops, samples or MIDI tracks that have been composed using a digital audio workstation (DAW). The various combinations of working styles, studio miking, isolation and instrument arrangements are literally limitless and, whenever possible, are best discussed or worked out in the early preparation stages. From a technical standpoint, the microphones for each instrument are selected either by experience or by experimentation and are then connected to the desired console or audio interface inputs.

If the musician lays down his or her part properly and the engineer dropped in and out of record at the correct times (either manually or under automation), the listener won’t even know that the part was recorded in multiple takes … such is the magic of the recording process! While recording onto the same track might make sense when an analog recorder is used, a DAW, on the other hand, doesn’t have track limitations. Therefore, it often makes sense to record the overdub onto another track and then combine the edited tracks into a single track or set of separate grouped tracks.

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