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Pen & Ink Techniques by Frank Lohan

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By Frank Lohan

Subsequent to pencil, pen is the cleanest, least difficult, and not pricey inventive medium to paintings in. Artists and would-be artists in any respect degrees of feat can adventure the actual gratification that accompanies the expression of a special and private creative imaginative and prescient with pen and ink.

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Do not put too much grass in. 26 Pen and Ink Techniques Barns Barns are fun subjects. You will find a lot of exercise in basically three tones You have already used them together all — Outline and Instructions them throughout this book. This one is a simple — light, medium, and dark. the texturing techniques required for this sketch, and will simply put in a slightly different way here. There are several important things here which you should not overlook. First, be certain that you indicate with pencil the little areas over the branches where they cross the dark interior of the barn.

Make them go grass strokes also are important in this regard, so be sure to L < 5 6 Proceed this way with the background trees. Keep the sunny side of the background trees lighter than the shady & side. The foreground A? tree foliage is # made up little of clumps like this. y^i> V Hi ^ 7! «... First do the darker foliage.

I. \ik*> i V . 34 Pen and Ink Techniques Mailbox The — Outline and Instructions is a simple composition showing a rural mailbox peeking up from a suggested that when you finish this sketch you paint the two goldenrod blossoms with yellow and orange. You will be surprised at the striking effect just a little touch of color can bring to an otherwise black-and-white sketch. Use acrylic or watercolor paints. Oils will last sketch in this section mass of weeds. It is stain the paper. The close-up weed effect is created by showing a few weeds in full outline and then filling in between with primarily vertical grasslike strokes.

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