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Proletpen: America's Rebel Yiddish Poets by Amelia Glaser

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By Amelia Glaser

This distinctive anthology interprets for the 1st time a little-known physique of Yiddish poetry through American Yiddish proletarian writers who pointed out politically and poetically with the yankee Left from the Nineteen Twenties to the early Nineteen Fifties. In his creation, Dovid Katz explains how a McCarthy-era "American Yiddish Political Correctness" wrote those leftist poets out of the canon. Amelia Glaser and David Weintraub right this erasure, getting better the paintings of thirty poets. Proletpen introduces the reader to an untold bankruptcy of American's tumultuous background throughout the pre- and inter-war interval, revealing the intensity and tool of Yiddish literature throughout the backdrop of twentieth-century international politics. Winner, selection Award for amazing educational Titles, present stories for educational Libraries Winner, 2006 Fenia and Yaakov Leviant Memorial Prize of the fashionable Language organization “A window into the lives of a gaggle of socialist writers who spoke passionately approximately every little thing from racism to the plight of the employee and the grinding poverty they faced on an everyday basis.”—Jewish e-book Council

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Extra info for Proletpen: America's Rebel Yiddish Poets

Sample text

And, he survived all the rest. For their part, the Rékhte, or their heirs to be more precise, continue to publish the Forverts, now a weekly, with lavish subsidies from the Forward Association, as well as the magazine Tsukunft (The Future). ” As they saw it, to do so would undermine the entire enterprise of winning acceptability for Yiddish in America. Moreover, they themselves were bitter enemies of those Línke, so they didn’t really need much contemplation to decide to exclude their rivals. But one problem was insurmountable.

They were much the same as all the others. Yes, American Yiddish leftist writers walked, loved, worked, and did all the other things that other writers did. Since Yiddish writers were virtually all “leftists” in the sense of being politically far to the left of the American center, the positing of some “species differentiation” is a silly, spurious picture resulting from antiquated political correctness at worst, or anachronism at best. Before the factional splits traced to  (when American communism officially got underway) or  (when the Frayhayt was established), one would be hard pressed to find any difference.

In the evening, the halls fill up like mass graves with corpses: days, dreams, thoughts, bits of souls . . rOv gshn xNs irgkxhut iut wighkc isbutuu yhn wiygvbOn wrgnhhc gbhhs /ihhuugd ogbhrd O yhn srg gyehshhkgdxhut ihhs ighm ,ubjn gzNknhhv /ihhya-iut-eNya ihhs iup ybkg ogs rgcht wrghhp ixhhuu yhn iut ahur yhn igbhhz wiygvbOn wixOd gbhhs – yfgb gbhhs igbgrc ohbP yphuzrOp O yhn rghhy ikNmOc wuyxguu ikNmOc / / / yfgbe gbhhs iup rgdbuv iut ,ukpa rgs rOp  My New York Street Sings Esther Shumyatsher Want sang and sang on my street today, a torn cry on its lips, hunger on its knee.

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