Drama

Queen Margot: A Play In Five Acts by Alexandre Dumas père

Posted On March 24, 2017 at 7:03 am by / Comments Off on Queen Margot: A Play In Five Acts by Alexandre Dumas père

By Alexandre Dumas père

Written in 1847, whilst Dumas was once on the peak of his powers, this play recounts the occasions prime as much as the Saint Bartholomew's Day bloodbath of the French Huguenots, and the following demise of King Charles IX. The playwright specializes in the folk inadvertently stuck up within the slaughter, which, as soon as began, can't be suppressed.

Show description

Read Online or Download Queen Margot: A Play In Five Acts PDF

Similar drama books

The Collected Shorter Plays

"[Beckett] by no means got down to be a innovative yet really to enquire the actual merits of theater for his attribute meditations on being, doubtful presence, seriocomic desolation, and the inventive relevant to `fail back, fail higher. ' within the technique, even though, he ended up turning the theater world---famously liberal politically but notoriously conservative concerning got forms---on its head.

Essays

In those appealing essays, Wallace Shawn takes us on a revelatory trip during which the private and political develop into one.

Whether writing in regards to the genesis of his performs, corresponding to Aunt Dan and Lemon; discussing how the privileged international of arts and letters takes without any consideration the paintings of the "unobtrusives," the folks who serve our nutrition and convey our mail; or describing his upbringing within the sheltered global of Manhattan's cultural elite, Shawn finds a distinct skill to step again from the looks of items to discover their deeper social meanings. He grasps contradictions, even if disagreeable, and demanding situations us to appear, as he does, at our personal habit in a extra sincere mild. He additionally unearths the pathos within the political and private demanding situations of daily life.

With a pointy wit, amazing consciousness to aspect, and an analogous acumen as a author of prose as he's a playwright, Shawn invitations us to examine the area with new eyes, the higher to understand-and swap it.

A Companion to Terence

A accomplished choice of essays by way of best students within the box that deal with, in one quantity, numerous key matters in examining Terence delivering an in depth learn of Terence’s performs and situating them of their socio-historical context, in addition to documenting their reception via to offer day• The first entire selection of essays on Terence in English, via prime students within the field• Covers a variety of subject matters, together with either conventional and sleek matters of gender, race, and reception• Features a wide-ranging yet interconnected sequence of essays that supply new views in analyzing Terence• Includes an advent discussing the lifetime of Terence, its effect on next experiences of the poet, and the query of his ethnicity

Additional info for Queen Margot: A Play In Five Acts

Sample text

Discovery of such an approach, in turn, may uncover other contiguous modes of thought that may help to explicate corners of the text not sufficiently illuminated by the first. 6 In addition, essays such as this one are inevitably a mirror of the reading habits and fallible memory of their authors, and there is no doubt that I miss—or have not fully digested—much that is both relevant and worthy. Nevertheless, readers who follow what I have included will also be led to additional important bibliography.

11 Foley (1982) 7. 12 For a contextualization of the position of Foley and others, see Richlin (1993). See now Foley (2014). 13 Zeitlin (1981); and Zeitlin (1985), a book primarily about tragedy, but nevertheless important for thinking about the feminine in Aristophanes. Zeitlin (1996) collects both essays and includes a retrospective introduction. 14 Taaffe offers one approach via film criticism, which she maintains can help to uncover aspects of Aristophanic women that are not otherwise foregrounded: While the spectator’s gaze in a theatrical performance cannot be manipulated as forcefully is it is in film, it is still grounded in cultural ­assumptions about gender, sexuality, and power.

34 See the remarks of Plutarch in the early second century on how “each reader needs his own scholar to explain things one by one” (οὕτω δεήσει γραμματικὸν ἑκάστῳ τὸ καθ᾿ ἕκαστον ἐξηγεῖσθαι, Symposiaca 712a). More learned readers may have enjoyed showing off their more recherché knowledge: Bowie points out that three orators of the Second Sophistic (Dio of Prusa, Aelius Aristides, and Maximus of Tyre) quoted Old Comedy more than Menander, and Eupolis and Cratinus just as much as Aristophanes (Bowie (2007) 33–4).

Download PDF sample

Rated 4.03 of 5 – based on 37 votes