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Sämtliche Werke, Briefe und Dokumente. Band 5: 1796-1797. by Friedrich Hölderlin, D. E. Sattler

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By Friedrich Hölderlin, D. E. Sattler

Mit dieser Ausgabe schließt der Herausgeber, der als einfacher Leser begann, seine Arbeit ab. Sie enthält auf 3.000 Seiten das Resultat der 1974 begonnenen Arbeit, die für ihn von Anfang an keinen anderen Zweck hatte als den hier vorgelegten, gegenüber allen früheren und noch im Handel erhältlichen Ausgaben wesentlich erweiterten und korrigierten textual content ..

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Extra resources for Sämtliche Werke, Briefe und Dokumente. Band 5: 1796-1797. Hyperion, vorletzte Fassung; Gedichte; Hyperion I; Ovid, Vergil, Euripides; Horaz

Sample text

I am the most slavish of students, with here a dictionary, there a note-book in which I enter curious uses of the past participle. But one cannot go on for ever cutting these ancient inscriptions clearer with a knife. Shall I always draw the red-serge curtain close and see my book, laid like a block of marble, pale under the lamp? That would be a glorious life, to addict oneself to perfection; to follow the curve of the sentence wherever it might lead, into deserts, under drifts of sand, regardless of lures, of seductions; to be poor always and unkempt; to be ridiculous in Piccadilly.

Then I shall drop you. ‘I am one person – myself. I do not impersonate Catullus, whom I adore. I am the most slavish of students, with here a dictionary, there a note-book in which I enter curious uses of the past participle. But one cannot go on for ever cutting these ancient inscriptions clearer with a knife. Shall I always draw the red-serge curtain close and see my book, laid like a block of marble, pale under the lamp? That would be a glorious life, to addict oneself to perfection; to follow the curve of the sentence wherever it might lead, into deserts, under drifts of sand, regardless of lures, of seductions; to be poor always and unkempt; to be ridiculous in Piccadilly.

But now we have regained our territory after that brief brush with the bicycles and the lime scent and the vanishing figures in the distracted street. Here we are masters of tranquillity and order; inheritors of proud tradition. The lights are beginning to make yellow slits across the square. Mists from the river are filling these ancient spaces. They cling, gently, to the hoary stone. The leaves now are thick in country lanes, sheep cough in the damp fields; but here in your room we are dry. We talk privately.

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