Fantasy

Second Chance (The Slayer Chronicles, Book 2) by Heather Brewer

Posted On March 24, 2017 at 2:46 am by / Comments Off on Second Chance (The Slayer Chronicles, Book 2) by Heather Brewer

By Heather Brewer

Spouse to the hot York occasions bestselling sequence The Chronicles of Vladimir Tod...

It's time for him to end up himself as a Slayer. A killer is at the unfastened in big apple urban, however the Slayer Society understands that this isn't any common predator...

This is anything supernatural.

Now Joss McMillan needs to use all of his power and ability to avoid wasting the blameless humans of recent York. His prestige as a Slayer—and his very life—depend on it. The stakes are lifestyles or death.

More than one million readers were enthralled by means of the hot York instances bestselling sequence The Chronicles of Vladimir Tod. And now, with this better half sequence, The Slayer Chronicles, they could sink their the teeth into lifestyles at the different part of the stake.

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Extra resources for Second Chance (The Slayer Chronicles, Book 2)

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Using smudged/blended shades is more effective when illustrating a subject with well-defined muscle structure. Loosely apply gradations with hatches, and then smear the shades on their respective areas. Finally, Tone up the muscle (if you want it to look more solid) by creating darker shades on particular portions. Aside from the body outline, the muscle tone basically depends on how dark and visible the lines and shades you make, like how the dark shades on the inner sides of the shoulder muscles connecting to the armpits portray the thickness of the muscles on the chest, as the highlights complement its mass.

Define the muscle structure, especially the obvious portions. Based on the primary outline, decide what kind of muscle tone you want for your subject. It can either be soft, evenly toned or bulky and solid. Using smudged/blended shades is more effective when illustrating a subject with well-defined muscle structure. Loosely apply gradations with hatches, and then smear the shades on their respective areas. Finally, Tone up the muscle (if you want it to look more solid) by creating darker shades on particular portions.

If the female has manly skull structure just like on the cases of males having feminine head structure, then their gender is established by their feminine facial features. Faces of females are usually drawn with thick eye outline (dark eyelashes), and their lips are defined with more shade tones (glossier and pointier) compared to men’s. 38 Clothing 39 Clothes are naturally a vital part when drawing people. A subject is usually wearing something to show his certain status or a desired lifestyle.

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