Strokes of Genius 5 - The Best of Drawing: Design and by Rachel Rubin Wolf
By Rachel Rubin Wolf
"Do not just draw what you see," encourages artist Gary Rudisill (p55), "create what you feel." In Strokes of Genius five, that feeling is brought via powerful and artistic layout. masking a tantalizing diversity of kinds, the paintings inside illustrates the various methods today's most sensible artists choreograph form, worth, line, texture and colour into compositions that create drama, inform a narrative, and pull audience in. that includes strange views, tantalizing contrasts and different dynamic layout components, Strokes of Genius five provides clean suggestion for artists of each ability point and medium.
Art and proposal from ninety one modern masters in charcoal, pencil, pastel, coloured pencil, scratch board, pen and ink, and more.
120 masterful works--landscapes, figures, graphics, city scenes, animals and nonetheless lifes--in a superb variety of styles.
Expert counsel, strategies and tales in the back of the designs.
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Extra resources for Strokes of Genius 5 - The Best of Drawing: Design and Composition (Strokes of Genius: the Best of Drawing)
18 A Sample of Drawing Tools This is a sampling of the many tools that are available to use in drawing. The items presented here have proven to be indispensable to artists. In this section, you will learn each tool’s different applications. Take special note of how the tool is used differently by each artist in the gallery sections throughout this book, and practice what you see. Various Mediums GRAPHITE PENCILS Graphite pencils are probably the most common drawing tool.
22 Ample Space . . . . . . . . . . . . . . . . . . . . . 25 Types of Easels . . . . . . . . . . . . . . . . . . . . 26 Mirror Use . . . . . . . . . . . . . . . . . . . . . . 28 Where to Buy . . . . . . . . . . . . . . . . . . . . . 29 Lighting Lighting is an extremely important aspect of drawing to consider. Drawing is about what you see and how you see your subject. Light is the most important element of drawing because it reveals the structure of an object.
Think about the subject matter you are drawing and how it is suited to the surface you are using. If you want to draw a subject with fine detail and the quality of the line is important to you, you should use a smooth paper. If, however, you will not be concentrating on fine detail but an overview of the subject, then a less smooth paper will best suit that need. There are no hard and fast rules; just be aware of the possibilities, and always experiment. NEWSPRINT PAPER Newsprint is the most economical paper to use and is available in pads.