Fantasy

The Crimson Gold (Forgotten Realms: The Rogues, Book 3) by Voronica Whitney-Robinson

Posted On March 24, 2017 at 1:03 am by / Comments Off on The Crimson Gold (Forgotten Realms: The Rogues, Book 3) by Voronica Whitney-Robinson

By Voronica Whitney-Robinson

She sought after out.

She sought after a brand new life.

She sought after a trophy important of a grasp thief.

She desired to locate the resource of the precious red gold.

She desired to face an undead emperor on his domestic floor and reside to inform the tale.

Careful what you need for.

The red Gold is the 3rd name during this ongoing Forgotten Realms sequence focusing in particular at the shadowed lifetime of the long-lasting personality category of the rogue. each one novel within the sequence is a stand-alone event, permitting readers a simple access element into the Forgotten Realms world.

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The Crimson Gold (Forgotten Realms: The Rogues, Book 3)

She sought after out.

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Additional resources for The Crimson Gold (Forgotten Realms: The Rogues, Book 3)

Sample text

He nodded and clucked his horse into motion. It was when the birds scattered from their path that the Adjunct found herself envying the captain. Before her the roused carrion-eaters exposed a carpet of armour, broken bones and meat. The air was hot, turgid and cloying. She saw soldiers, still helmed, their heads crushed by what must have been huge, terribly powerful jaws. She saw torn mail, crumpled shields, and limbs that had been ripped from bodies. Lorn managed only a few moments of careful examination of the scene around them before she fixed her gaze on the promontory ahead, unable to encompass the magnitude of the slaughter.

The captain grunted again.

There was virtually nothing else. No back story, no context, no real introduction of characters. It was, in fact, more Raiders of the Lost Ark than The Lion in Winter. Ambition never goes away. It may shuffle off, grumbling, feet dragging, only to slide across into something else – usually the next project. It doesn't take 'no' for an answer. In writing Gardens, I quickly discovered that 'back story' was going to be a problem no matter how far back I went. And I realized that, unless I spoon-fed my potential readers (something I refused to do, having railed often enough at writers of fantasy epics treating us readers as if we were idiots), unless I 'simplified', unless I slipped down into the well-worn tracks of what's gone before, I was going to leave readers floundering.

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