Literary Classics

The Forsyte Saga by John Galsworthy

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By John Galsworthy

John Galsworthy's Forsyte Saga chronicles the lives of the rich, and expansive, Forsyte kin. just a couple of generations faraway from their humble beginnings, the Forstye family's fortunes were enriched via their advertisement investments. yet whilst their fortunes develop, the kin is split by way of long-held grudges and disagreements.

The Forsyte Saga is constructed from 3 novels, The guy of Property, In Chancery, and To Let, in addition to interludes, Indian summer time of a Forsyte, and Awakening. throughout the Forsyte's family's affairs, Galsworthy examines the impression of industrialization, the altering roles of ladies, and the age-old clash among fabric and non secular wealth. The Forsyte Saga has been tailored for radio, movie, and tv, and used to be presented the Nobel Prize for Literature in 1932.

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Sample text

I am the most slavish of students, with here a dictionary, there a note-book in which I enter curious uses of the past participle. But one cannot go on for ever cutting these ancient inscriptions clearer with a knife. Shall I always draw the red-serge curtain close and see my book, laid like a block of marble, pale under the lamp? That would be a glorious life, to addict oneself to perfection; to follow the curve of the sentence wherever it might lead, into deserts, under drifts of sand, regardless of lures, of seductions; to be poor always and unkempt; to be ridiculous in Piccadilly.

Then I shall drop you. ‘I am one person – myself. I do not impersonate Catullus, whom I adore. I am the most slavish of students, with here a dictionary, there a note-book in which I enter curious uses of the past participle. But one cannot go on for ever cutting these ancient inscriptions clearer with a knife. Shall I always draw the red-serge curtain close and see my book, laid like a block of marble, pale under the lamp? That would be a glorious life, to addict oneself to perfection; to follow the curve of the sentence wherever it might lead, into deserts, under drifts of sand, regardless of lures, of seductions; to be poor always and unkempt; to be ridiculous in Piccadilly.

But now we have regained our territory after that brief brush with the bicycles and the lime scent and the vanishing figures in the distracted street. Here we are masters of tranquillity and order; inheritors of proud tradition. The lights are beginning to make yellow slits across the square. Mists from the river are filling these ancient spaces. They cling, gently, to the hoary stone. The leaves now are thick in country lanes, sheep cough in the damp fields; but here in your room we are dry. We talk privately.

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