Literary Classics

Tus pies toco en la sombra y otros poemas inéditos by Pablo Neruda

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By Pablo Neruda

Darío Oses, introducción y notas.
Pere Gimferrer, prólogo.

Overview

Veintiún poemas de amor y de otros temas, de extraordinaria calidad, que no se incluyeron en las obras publicadas y que ahora ven los angeles luz. Una ocasión excelente para deleitarse con versos nunca antes leídos de Pablo Neruda, uno de los mayores poetas de todos los tiempos.

La enorme relevancia de esta obra inédita live en que los poemas pertenecen a un periodo que abarca desde principios de los años cincuenta hasta poco antes de su muerte, en 1973. Son, por lo tanto, posteriores a Canto common (1950) y fueron escritos en l. a. época de madurez de Pablo Neruda.

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Extra resources for Tus pies toco en la sombra y otros poemas inéditos

Sample text

I am the most slavish of students, with here a dictionary, there a note-book in which I enter curious uses of the past participle. But one cannot go on for ever cutting these ancient inscriptions clearer with a knife. Shall I always draw the red-serge curtain close and see my book, laid like a block of marble, pale under the lamp? That would be a glorious life, to addict oneself to perfection; to follow the curve of the sentence wherever it might lead, into deserts, under drifts of sand, regardless of lures, of seductions; to be poor always and unkempt; to be ridiculous in Piccadilly.

Then I shall drop you. ‘I am one person – myself. I do not impersonate Catullus, whom I adore. I am the most slavish of students, with here a dictionary, there a note-book in which I enter curious uses of the past participle. But one cannot go on for ever cutting these ancient inscriptions clearer with a knife. Shall I always draw the red-serge curtain close and see my book, laid like a block of marble, pale under the lamp? That would be a glorious life, to addict oneself to perfection; to follow the curve of the sentence wherever it might lead, into deserts, under drifts of sand, regardless of lures, of seductions; to be poor always and unkempt; to be ridiculous in Piccadilly.

But now we have regained our territory after that brief brush with the bicycles and the lime scent and the vanishing figures in the distracted street. Here we are masters of tranquillity and order; inheritors of proud tradition. The lights are beginning to make yellow slits across the square. Mists from the river are filling these ancient spaces. They cling, gently, to the hoary stone. The leaves now are thick in country lanes, sheep cough in the damp fields; but here in your room we are dry. We talk privately.

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