Individual Artists

Unfurling, A Mixed-Media Workshop with Misty Mawn: by Misty Mawn

Posted On March 23, 2017 at 12:49 pm by / Comments Off on Unfurling, A Mixed-Media Workshop with Misty Mawn: by Misty Mawn

By Misty Mawn

Unfurling is an inventive workshop in publication shape, providing a special mixture of motivation and approach routines to get your inventive juices flowing. Written by way of Misty Mawn, those pages will encourage a person who needs to open up extra to the method of creating art.
The e-book starts off with artwork workouts in drawing and portray that come with portraiture, contour drawing, backgrounds, layering, and dealing with a nonetheless existence, by means of college and photograph move recommendations. the second one part deals routines and initiatives in stamp carving, paper pottery, sculpture, origami, paper doll making, and floor layout. those tactile explorations supply an delight in the method in addition to marvelous home made tasks. The final part stocks a number of ways to visible journaling. There are directions for binding your personal magazine, activates and ideas for engaged on your pages, and various routines utilizing images and poetry as how one can encourage and tell your magazine retaining. Youll additionally discover a set of reward booklet plates and a stunning paper doll designed through the writer and published on perforated cardstock behind the book.
Tap into your internal creativity and discover new creative approaches with Unfurling!

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Extra info for Unfurling, A Mixed-Media Workshop with Misty Mawn: Inspiration and Techniques for Self-Expression through Art

Example text

Au lieu de considérer la mémoire comme un ensemble de faits du passé emmagasinés à tout jamais dans un lieu, tel que la psychologie cognitive nous a habitués à la penser, ils proposent d’étudier le rapport entre le lieu ou l’objet et la mémoire comme une relation qui varie avec les personnes et qui se transforme avec le temps. La mémoire des lieux ou des objets n’est pas figée, elle est appropriée et domestiquée de toutes sortes de manières par les citoyens. Par exemple, un souvenir d’un tableau de Rembrandt se transforme à chaque nouvelle visualisation qui représente autant de nouvelles expériences mémorielles (Gaskell 2002) ou un mémorial de la guerre d’Algérie en France évoque La mémoire de la culture matérielle et la culture matérielle de la mémoire des souvenirs très différents selon que l’on est un ancien combattant français ou un résistant algérien immigré en France (Tisseron 1999).

315-324. Deleuze, Gilles, Proust et les signes, Paris, Presses universitaires de France, 1964. Dupont, Jean-Claude, L’artisan forgeron, Québec, Presses de l’Université Laval, 1979. Durkheim, Émile, Les formes élémentaires de la vie religieuse. Le système totémique en Australie, Paris, Presses universitaires de France, (1912), 1990. Ethnologie française, « Hommage à Georges-Henri Rivière », Numéro spécial, 17, 1, 1987. ), Domestiquer l’histoire : Ethnologie des monuments historiques, Paris, Éditons de la Maison des sciences de l’homme, 2000.

Le corps représente évidemment le souvenir le plus tangible de la personne. Étudiant les aborigènes de l’île Sabarl en Mélanésie, David Battaglia (1990 : 189-190) souligne que les rites funéraires visent le démembrement et la déconstruction des corps pour faire oublier l’individu et le renvoyer à l’anonymat des origines. Michel Foucault (1975) a bien montré que les formes de punition les plus sévères sous l’Ancien Régime sont celles qui prônent l’anéantissement du corps de l’individu pour qu’il soit oublié à tout jamais.

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